Paul Riley Photography
These are some of my projects that are ongoing. Each picture is a link to more pictures in that project. My three current projects are
1. Project 365
This is a picture-a-day project. I started July 6th, 2009 and I'm taking and posting a picture each and every day. If you want to see more of the days then click the first picture.
2. Freelensing
This is a photography technique where you take off the lens, open the aperture all the way and then hold the lens closely to the open camera body. It creates a very small depth of field and gives a great look for the background as well as the extremely close foreground. If you want to see more of these, click the second picture
3. Holga
The Holga project is really just all of my holga pictures. Whats a holga you ask? Well its a toy camera. Plastic body, plastic lens, and lots of light leaks. Why on earth would you use that crap you ask? Well has great vingetting and it shoots 120 roll-film which is very large square frames. So none of my holga shots are digital. Its all film. If you want to see more, click the third picture.
1. Project 365
This is a picture-a-day project. I started July 6th, 2009 and I'm taking and posting a picture each and every day. If you want to see more of the days then click the first picture.
2. Freelensing
This is a photography technique where you take off the lens, open the aperture all the way and then hold the lens closely to the open camera body. It creates a very small depth of field and gives a great look for the background as well as the extremely close foreground. If you want to see more of these, click the second picture
3. Holga
The Holga project is really just all of my holga pictures. Whats a holga you ask? Well its a toy camera. Plastic body, plastic lens, and lots of light leaks. Why on earth would you use that crap you ask? Well has great vingetting and it shoots 120 roll-film which is very large square frames. So none of my holga shots are digital. Its all film. If you want to see more, click the third picture.
